LET GO: Meet the Allies

Dead Sea salt, Epsom salt, dendritic salt, and Hawaiian black lava salt (Bath Brew)

Two coarse salts from ancient inland seas, and a fine dendritic carrier. Dead Sea salt is mineral-dense in a way that most salts aren't — the water it comes from has one of the highest mineral concentrations on earth. It's been used therapeutically for thousands of years. The dual grain creates visible depth in the jar: coarse and medium together, different weights catching light differently. Epsom brings magnesium for the muscles. Dendritic salt holds the scent. Coarse Pacific sea salt finished with activated charcoal — the source of its color. The black grain is striking against the white kaolin and pale sage, and it earns its place functionally: activated charcoal is known for its adsorptive properties, drawing impurities to its surface.

Fine sea salt, Epsom salt, coarse sea salt, dendritic salt, and Hawaiian black lava salt (Shower Steamer)

A lighter salt architecture for brief exposure. The coarse crystals slow the dissolve; the dendritic holds the scent through the steam.

White kaolin clay

A fine white clay, pale as mineral chalk. It dissolves into the water without color, leaving the bath faintly silky against the skin. In a jar built around restraint, it doesn't announce itself — it just changes the quality of what surrounds you. No residue. No drama. (In the Shower Steamer, it creates an almost-clear floor — pure breath, intentionally spare.)

White sage

Rosa — dried, pale, and weightless against the dark salt field. White petals in a jar built around restraint read as deliberate quietude — not decoration, but punctuation. They dissolve without residue. What they leave is a quality of stillness in the water that arrives before the scent does.

White rose petal (Bath Brew and Shower Steamer)

Silver-dollar eucalyptus — Eucalyptus polyanthemos

Eucalyptus has been used in steam bathing traditions across cultures for its clearing, respiratory quality. In the water it will release what it holds. There may be a faint mineral ring from the resin — this is eucalyptus doing what eucalyptus does.

The scent blend

Eight plants — lavender, sweet orange, mandarin, frankincense, rose geranium, cedarwood, bergamot, and vetiver — carried in a plant-derived base.

Lavender leads deliberately, and at a volume that owns this blend entirely. This isn't lavender as background note — it's lavender as statement. Sweet orange and mandarin open the top with brightness that contrasts the heavy base. Frankincense is the anchor — resinous, ancient, sharing the same North African register as the rhassoul clay. These two were made to be together. Cedarwood deepens the dry-down. Vetiver sits at the very bottom, barely visible, adding an earthy depth that you feel more than name. The jar reads cold and clearing. The scent delivers warm release. That tension is intentional.

Clear quartz

One of the most common minerals on earth, and one of the most consistently kept close.

Clear quartz catches light. It stays cool. It gives the hands something honest to hold — especially useful when you're trying to put something else down.

Howlite

White with grey veining, quiet in the hand. A calcium borosilicate found in evaporite deposits. Howlite has been used as a calming object across many traditions. It asks nothing of you. Against the dark salt and pale sage, it holds the light end of the jar — almost disappearing into the salt field, which is, in its own way, the point.

Smoky quartz

A brown-grey variety of quartz, its color formed by natural irradiation over millions of years.

Smoky quartz bridges the pale and the dark in this jar — neither fully clear nor fully black. It has been used across many traditions as a grounding stone, associated with the capacity to move through difficulty without being consumed by it. It is quiet in the hand. It belongs here.